I'm Working On A New Figurative Collage

I'm working on a new figurative collage tonight. The image is of two women in conversation. I'm working out the dark/light pattern at this point. In creating collage, I find an interesting interplay between intuition/impulse and a more left brain, logical approach that considers composition, pattern, shape, values, and line. I also find that creating collage takes more time (for me) than painting alla prima/impasto in oil.

Day One of Encore: Open Studios

I had a lovely day today. So many wonderful people visited my studio, including many artists. My friend, and fabulous artist Ursula O'Farrell and her husband, Mike O'Farrell came by. What an inspiration Ursula is to me! I love her work and she is so supportive and encouraging of my work. She is a catalyst for going deeper, pushing further, and taking risks.

A lovely and enchanting artist I met the first weekend, Christianna Hunnicutt, came back and brought an entourage of students and colleagues with her. I had a delightful discussion with these women and was so honored that Christianna came back!

I am increasingly inspired and catalyzed by meeting so many wonderful people at these Open Studios! I think this will further fuel my painting and collage work.

"Horse Whisperer" Collage: Finished!

It's finished! I changed the ghostlike, light papyrus to a warmer, rust paper. I altered the top of the hat, using the Mexican bark paper and I threaded black and gold throughout the composition to unify it.

Much has been written about the issue of when a work of art is "finished". Is it ever really finished? There are stories of great masters going into museums with brush and paint, because something about the painting bothered them; they wanted to change the painting after they had looked at it or thought about it over time! Some say there is no finish, only interesting stopping points.

"Horse Whisperer" Collage In Progress: Part 5

I've got the background laid down and I'm weaving black through the picture. I'm not sure about the man's face, though. The papyrus is a bit light, making him look rather ghostlike. I like how the threads of the papyrus come out at the mouth (an accident...or was it? Carl Jung might call this synchronicity or a calling from the deep unconscious or "imago ignota" (unknown image: all the antecendets we are born with that are not/cannot be articulated verbally). Anyway, it happened spontaneously, and made me think of a "horse whisperer".

"Horse Whisperer" Collage in Progress: Part 4

Well, I decided to remove the burlap and use the marbled Mexican bark paper instead, which I feel is more interesting in terms of visual variety, a sort of counterpoint to the darker face. I've also laid down background papers. We'll see where this goes.

Horse Whisperer, Part 2

I'm adding darks to the collage now. I'll be threading the black through the compostion, for unity and connection. I haven't adhered any papers to the support canvas yet. I'm still playing with ideas of how I want the collage to look. This part of the process is quite subjective and intuitive, yet there is an underlying awareness of design principles upon which I am playing.

Beginnings of New "Horse Whisperer" Collage

I started a new collage for my "Relationship" collage series. The concept is that of a horse whisperer connecting with a horse. I've observed a few amazingly sensitive individuals who have this gift. The horse senses she can trust this human with her life, and thus a deep bond is formed. Much like children, horses know which humans are compassionate and which ones they can rely upon.

I began with an image in my mind of a horse and a man eye to eye. I roughly sketched this image onto the canvas, using a graphite pencil. I used a 24" x 30" canvas support, adhering handmade and machine-made papers (Egyptian papyrus, Mexican bark papers, mulberry paper, silk tissue, etc) with artist's tape, to explore the image and the dark/light pattern using various papers. I'm experimenting with burlap for the neck, though I don't know if I'll keep it for the final collage. When I'm sure about using a particular paper in a particular shape, I will adhere the paper with acrylic matte medium. It will be interesting to see how this collage takes shape.

Solo Art Exhibitions

The universe is opening up. In the space of two weeks, I've been asked to give two solo exhibitions of my art (both in the month of May). Additionally, three people approached me in the space of one week to donate art to two schools (Santa Cruz Waldorf and the Mountain School in Soquel) and the Santa Cruz Orchestra.

Open one door, and other doors start to open. A year ago, I put my toe in the water, by applying for open studios for the first time in Santa Cruz, CA. I got accepted. This led to two media articles about my collage work (Metro Santa Cruz and the Register Pajaronian , both in the space of two weeks in October 2007) and numerous contacts and friendships with some amazing people who visited my open studio exhibit.

What have I learned from this experience? I've learned to listen to what my heart's desire is and to hold that in the foreground of my awareness. I've learned to take a deep breath and just go for it!